Skip to Content
LIMIROKO
LIMIROKO
Home
All Rugs
About Us
About
Testimonials
FAQs
Company
Rug Care
Newsletter
Archive
0
0
LIMIROKO
LIMIROKO
Home
All Rugs
About Us
About
Testimonials
FAQs
Company
Rug Care
Newsletter
Archive
0
0
Home
All Rugs
Folder: About Us
Back
About
Testimonials
Folder: FAQs
Back
Company
Rug Care
Newsletter
Archive
All Rugs Karaja Square Rug - 3'9" x 4'0"
2552 OVERHEAD.png Image 1 of 8
2552 OVERHEAD.png
2552 DETAIL.png Image 2 of 8
2552 DETAIL.png
2552 TOP LEFT.png Image 3 of 8
2552 TOP LEFT.png
2552 TOP RIGHT.png Image 4 of 8
2552 TOP RIGHT.png
2552 BOTTOM LEFT.png Image 5 of 8
2552 BOTTOM LEFT.png
2552 BOTTOM RIGHT.png Image 6 of 8
2552 BOTTOM RIGHT.png
DETAIL 2.png Image 7 of 8
DETAIL 2.png
DETAIL 3.png Image 8 of 8
DETAIL 3.png
2552 OVERHEAD.png
2552 DETAIL.png
2552 TOP LEFT.png
2552 TOP RIGHT.png
2552 BOTTOM LEFT.png
2552 BOTTOM RIGHT.png
DETAIL 2.png
DETAIL 3.png

Karaja Square Rug - 3'9" x 4'0"

$675.00

#2552 Unusual Karaja Square
3’9” x 4’0”

AGE & ORIGIN:
c. 1930
Persia

OVERVIEW:
A fantastic example of why the outward design of a rug cannot necessarily be trusted when figuring out where a rug is from. Karaja rugs come from the eponymous region of NW Persia and have almost become a trade-term themselves as there is really only (mostly) one design that comes from Karaja, which is an iconic three medallion motif.
Despite the three medallion motif being superseded by a classic Herati design, this rug, structurally, is a Karaja. It is cotton on cotton construction, the typical NW Persian flat selvedge, and is single-wefted. All clues that would conclude it’s a Karaja, despite the lack of the typical Karaja motif.
Being slightly later into the 20th C. there are some synthetic dyes, but Karaja and its surrounding towns and villages (most notably Heriz) continued using vegetal dyes into this period, which are also present here.
While this piece may be overlooked by some, the unusual design aspects, good condition, special size and age are truly things that should satisfy even the snobbiest rug connoisseurs.

CONDITION:
Some moth bites and end loss

Add To Cart

#2552 Unusual Karaja Square
3’9” x 4’0”

AGE & ORIGIN:
c. 1930
Persia

OVERVIEW:
A fantastic example of why the outward design of a rug cannot necessarily be trusted when figuring out where a rug is from. Karaja rugs come from the eponymous region of NW Persia and have almost become a trade-term themselves as there is really only (mostly) one design that comes from Karaja, which is an iconic three medallion motif.
Despite the three medallion motif being superseded by a classic Herati design, this rug, structurally, is a Karaja. It is cotton on cotton construction, the typical NW Persian flat selvedge, and is single-wefted. All clues that would conclude it’s a Karaja, despite the lack of the typical Karaja motif.
Being slightly later into the 20th C. there are some synthetic dyes, but Karaja and its surrounding towns and villages (most notably Heriz) continued using vegetal dyes into this period, which are also present here.
While this piece may be overlooked by some, the unusual design aspects, good condition, special size and age are truly things that should satisfy even the snobbiest rug connoisseurs.

CONDITION:
Some moth bites and end loss

#2552 Unusual Karaja Square
3’9” x 4’0”

AGE & ORIGIN:
c. 1930
Persia

OVERVIEW:
A fantastic example of why the outward design of a rug cannot necessarily be trusted when figuring out where a rug is from. Karaja rugs come from the eponymous region of NW Persia and have almost become a trade-term themselves as there is really only (mostly) one design that comes from Karaja, which is an iconic three medallion motif.
Despite the three medallion motif being superseded by a classic Herati design, this rug, structurally, is a Karaja. It is cotton on cotton construction, the typical NW Persian flat selvedge, and is single-wefted. All clues that would conclude it’s a Karaja, despite the lack of the typical Karaja motif.
Being slightly later into the 20th C. there are some synthetic dyes, but Karaja and its surrounding towns and villages (most notably Heriz) continued using vegetal dyes into this period, which are also present here.
While this piece may be overlooked by some, the unusual design aspects, good condition, special size and age are truly things that should satisfy even the snobbiest rug connoisseurs.

CONDITION:
Some moth bites and end loss

Limiroko Newsletter

Sign up with your email address to know when new rugs drop before anyone else!

Thank you!

©LIMIROKO 2025